A wise man once said, that you can’t step into the same river twice. The river is in movement, and you are in movement – you are not the same at any point.

Sometimes, the creative proces is an attempt to capture the river in its movement, freezing the moment, you might say. It can be a difficult and potentially exhausting manoeuvre, if the experiment fails, and I think that all people, who work with their creativity, recognizes the feeling of, that the inspiration, or the creativity slips away through your fingers. That the capturing is somehow impossible.

I’ve written a song called “winterfire”, and last friday, I tried to record it at the studio, but I failed. I was tired and one attempt of playing it exhausted me. The river had somehow dried out within me.

Sunday, I tried again, and I did it, but when I left the studio, I had the feeling, that it still wasn’t right. Aske and Caspar agreed on this point – something wasn’t right. So which parameter should we work with? Is it the length of the song – is it too long? Is it the way, I sing it? Or play it? Is it the instrumentation? Is it the lack of instrumentation? Or is it simply a song, which, like a river, is impossible to capture in its movement?

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17.00-19.00  Bodebrixen-percussionist Magnus visits us. He has just returned from Damascus, from where he has brought a beautiful drum (which probably has a funny name, but I’m not aware of it). Tight as a metronome, he makes the three songs more crispy and firm with some subtle drumming, tambourinehitting and bellswinging hands. He also did some backingvocals on two songs.Wonderful.

Magnus with the corny calendar

Magnus with the corny calendar

Magnus swinging them bells!

Magnus swinging them bells!

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Hellohohoho

What a day! Only time for a part 1 now – we’re still working! Just wanted to share what we’ve been up to this afternoon.

11-12: I arrive later than Aske. Make coffee and deck the studio with fairtrade-angels, haystars, a really colourful chocolate-christmas calandar etc. Just to get in the mood :)

Santachocolatechristmascalandar

Santachocolatechristmascalandar

12-15.30 RebekkaMaria came. She did some amazing stuff on The boy in the manger, Immanuel and Christmas is here. It is very inspiring to work with a person, who knows her voice so well, that you get the feeling, that she could do anything with it. Her work has definitely lifted the songs to a higher level! I took a few pictures while she was here:

RebekkaMaria and Aske

RebekkaMaria and Aske

Beautiful Rebekka and the nasty velour background

Beautiful Rebekka and the nasty velour background

15.30-17.00 Lunchbreak for Aske and I, Aske takes a nap on the zebra-couch. I smoke and read a newspaper.

Still 2 more guests to come today..

To be continued…

Ho ho ho

We had a short but good brainstorm-session today, where we planned what to do, to finish the christmasrecord within 2 weeks. We jump-started with coffee from excellent coffeehouse Riccos Kaffebar, and tried to figure out, what needed to be done on every track.

Riccos coffee, slurp

Riccos coffee, slurp

We also discussed, who we would like to come and make guest-appearances. So, ladies and gentlemen – tomorrow, Wednesday, TWO talented people will visit the studio on Nørrebro (God willing):

The lovely Queen of France, RebekkaMaria Andersson (As in Rebekkamaria, lampshade) and the gentleman who also paid a visit a few days ago, Jakob Brixen, has agreed to come and play with us on some christmastunes. I’m honored and humbled.

So – all in all, I’m very, very excited about tomorrow and I can’t wait to tell you about it.

/J

Hello, Hello,

It’s a rainy day in Copenhagen. Gray, gray gray all over. If you don’t know what to do with yourself, maybe this will cheer you up – it worked for me!

Happy now? Visit Bodebrixen and download the entire album for free (or support the band by bying it @ klicktrack) – I just did.

Bodebrixen is Andreas Brixen and Aske Bode – the excellent gentleman, who helps me make my records. Going to the studio tomorrow. Can’t wait!

Cheers,

Jonas/Hymns from Nineveh

Hello, my dear readers.

Today should have been a long, productive day in the studio, but I was sick, so we only took a short session. The outcome was fine, though. I did the final vocals on “Christmas is here”, and Aske did some sleigh bells .. :)

Next week we’ve booked 5 days in the studio, so hopefully, we’ll get closer to the end of the making of the Christmas-EP!

With love

Jonas/Hymns from Nineveh

Hi!

Time for a short update. Today has been a great day – and for the first time, we had a guest in the studio!

LYDSTUDIE

Doorbell

The guest was the lovely and talented Mr. Jakob Brixen (the creator of the beautiful Mechanical Bird, and in fact, big brother of Andreas from innovative popsmiths Bodebrixen). Amongst Jakobs many talents as a musician, he playes the banjo and saw! These talents were used today, and I must say – the outcome is fantastic!

Today we’ve done vocals, guitars, melodika and banjo on “Immanuel”, and saw on “The boy in the manger”. “Immanuel” has turned out to become a much more popish tune, than my demo of the song. Super! “The boy in the manger” got an ambient, spooky, ghostly feeling to it with the saw.

During the day, I took some pictures with my cellphone – for you to enjoy. I’m very happy about what we’ve accomplished today, and I can’t wait untill you can hear the result!

Aske records melodika on "Immanuel"

Aske records melodika on "Immanuel"

Jake & Aske

Jake & Aske

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Hello, you!

Friday night, I played at Eliaskirken in central Copenhagen. It was a wonderful experience for me – the audience was so, so quiet and the room was beautiful.

Poster outside the church

Poster outside the church

It was the annual “Kulturnat” – Culturenight – in Copenhagen, where the city opens up its bars, churches, shops, museums and concertvenues to the citizens – everywhere you go, “culture” in all sounds, shapes and sizes peeps out. I would have liked to see my labelmates, Murder, who also played at Vesterbro, but my parents and my brother and his wife had decided to surprise me by coming to see my show, so we went for a drink instead. Wonderful. It is nice, when people, you care about, insist on existing in your world – for example by showing up unannounced.

DSC00569

The front of Eliaskirken, carved in stone.

To those of you, who were there, I want to say: Thank you – I loved playing for you. It was possibly my last show in Copenhagen this year. As you know, I will focus on doing my records in the next couple of months.

Btw, I was in the studio with Aske on Friday. We recorded vocals on a song called The Boy in the manger. Later this month, we will be recording brass-instruments and strings with musicians from The Royal Danish Academy of Music. More about this later. The image below is how the process looks like in Logic:

Vox-trax from The boy in the manger

Vox-trax from The boy in the manger

Aske was, once again, a soundwizard.

I will return next week with more pics and words from the studio.

Till then, remember to take a walk in the forest, where the leaves are turning yellowish and the air is clean. If you live in Copenhagen, be sure to visit dyrehaven.

Jonas/Hymns from Nineveh

Hi,

I’m about to jump on my bike to go to the studio, but before I go, I just want to say, that if

- you happen to be in Copenhagen tonight

- you want to hear some quiet music in a big room

- you love free pleasures

well, then I play @ Eliaskirken

Show starts @ 20.15 and the entrance is F R E E :) !

Foto 14

see you?

Jonas/Hymns from Nineveh

Hello, my dear reader.

Welcome back. On Wednesday Aske and I went to the studio (the still nameless studio on Nørrebro) to make som overdubs on “Christmas is here”.  The final part of the song hasn’t been recorded yet, so we began with discussing, how we should end the track – with parameters like instrumentation, sound and vibe.

We ended up deciding to try to make a feeling of “elevation” – that the song, in the final part, should be lifted up and driven forward in circular movement. So the directions are: up, forward and around – like snowflakes playing in the wind. One line in the final part of the song goes: “swans appear/like snow in the air/and suddenly we hear/that Christmas is here”. – So, we pretty much want to turn this vision into sound. What does it sound like? We still haven’t found out, but hopefully the ideas will grow within us.

Rocks & leaves

I began to do some vocals, and thought, that I should make lots and lots of choir-stuff. But after a few takes, Aske said, that we had enough. “Okay”, I said, “you’re the boss – but what to do now!?”. “Rythmical stuff”, he replied, “let’s find some rocks!” – and with that, he jumped out of the chair and rushed out in the lazy autumnsun. We came back with two stones and some leaves; Aske went into the vocal-box and began tapping the stones and crumpling the leaves, recording the noize, they produced. Crazy? Maybe, but the outcome was clever – perfect, actually. It looked like this:

DSC00539

Tomorrow, friday, we will be working three hours in the afternoon. I think, we will work on one of the other songs, but I’m not shure of which one. Come back sometime, and find out..

With love,

Jonas/Hymns from Nineveh