Category Archives: Recording

Recording

Album completed!

The hymnboy and Caspar Hesselager

My beloved reader,

Over 6 months of hard work in the Pinligtavshed studio has now come to an end; the recording of the album is completed!!

Approximately 25 people have been putting their fingerprints and sounds on the canvas of the songs: Sarah Hepburn, RebekkaMaria Andersson, Christel Voldby Winther, Johannes Dybkjær Andersson, Jakob and Andreas Brixen, Jacob Haubjerg, Nikolaj P. Mikkelsen, Mikael R. Andreasen, Mikael Kærsgaard, Aske Bode, Caspar Hesselager, just to name a few! All of these names represent wonderful people, and I have trouble finding words for my gratitude to them and to everyone else, who have contributed with sounds or encouragements. Thank you.

The recording of the album is completed. This is the good news.
The bad news is, that you’ll still have to wait a little while before you can purchase the album. We thought that we would be able to get the job done in time to release the album in 2010. But – when you work with art, it is very difficult to plan the outcome, especially when you aim for perfection.

So – Good Tape Records and I hope to release the album in the very beginning of 2011. In a little while, you’ll be able to listen to some tracks. Stay tuned.

Friends Recording

Closer to closure

Photo by Johanne Fick.

Hi, hymnfriends.

It’s been a while. I’ve been so so so busy making music. SO, you might wonder, how far we are with the record? Frankly, it’s hard to say, but we’re closer to closure! So far, we’ve recorded 12 songs, and we want to record a couple more. Some of the twelve songs aren’t finished, but some are, and we are thrilled with the result (“we” are Aske, Caspar and I)! The songs will vary from orchestral songs with symphonic arrangements to simplistic, almost lo-fi-ish songs. Since we started the recordings, we’ve had approximately 15 people contributing with various instruments and lots of vocals. You might say, that it becomes more and more difficult to argue, that Hymns from Nineveh is a soloproject.. :) ! Last saturday, we had the honour of recording the magnificent Sarah Hepburn (Glorybox, Zhaeng Zhaeng, Kloster), one of my favourite female artists. She managed to lift four songs to higher levels. It was and is fantastic!

I hope that you will be able to stream some songs on myspace during the summer. I’ll keep you updated! You can go to Hymns from Nineveh’s Facebook page once in a while to see small updates.

If you have the time, you can visit my friends in Hunch Bettors. They’ve just won the music contest Karrierekanonen hosted by Danish National Radio P3. I play the cello on one of their songs. They will record an EP during the summer – keep a close eye on them!

That was all for now.

Love – Jonas

Pictures Recording

Day 9 – in the field

Hello Hello my dear reader.

Day 9 of the Album recording was an extraordinary day. Instead of recording at Pinligtavshed, Aske and I went to record in my appartment in Vesterbro. Here we did three small songs: “Eveningsong”, “Cocoon” and a brand new song called “Who can make a woeful heart to sing”.

We took a much more lo-fi approach to these recordings. Aske put up his Neumann mics in the middle of the room, and then I played the songs – guitar and vocal, that’s all. The idea is, that the listener will be able to go into different “soundrooms” when listening to the album.

/Jonas

Recording

Day 8 – pianolessons

Hi, reader!

Thursday was spent by the piano. We wanted to record a song called “Sister sorrowsong”, and we agreed that the instrumentation shouldn’t be guitarbased. So in order to be able to record other instruments than guitar, we decided to make a pianotrack. But before that could happen, the guitarpart had to be transscribed into a pianopart, which turned out to be ore difficult than we thought. Although Aske is a very talented painoplayer, he had a rough time figuring out which rhythm I’m playing, and I couldn’t tell him, because – when it comes to guitar – I don’t think, I just play!

But we figured it out in the end, and had a lot of fun. I think the endresult is going to be fantastic.

/Jonas

Pictures Recording

Day 7 – Focus!

My beloved reader.

Welcome back! As you might know from my previous blogpost, tuesday was a diffucult day. It was a bit like the picture above, out of focus, a blur. And as i mentioned, we listened to the things we did yesterday, and they weren’t bad after all. But we also spent some time on deciding what to do now. We aren’t the place we thought we would be by now. These things (often) happen when you make an album.

The old plan was to chose 5 songs at the time and finish them one song at the time. This plan didn’t work, so we decided, that we from now on, everytime we meet, will work on one new song and one song we already have begun recording. I think it will be a more dynamic process and the songs can “communicate” with each other. Hopefully this will also result in a more homogenous record. The focus is sharpened.

Recording

Day 6 – tuesday = chooseday

Shoesday

Shoesday

Hello, reader.

I’m glad you stopped by.

I don’t know if you have any experience in recording, but those who have recorded an album or a song, or anyone who have worked on a product which included creative decisionmaking might know how frustrating it can be, when you suddenly loose your vision or find yourself lost in the creative process.

This happened to me yesterday. I had had a strong and good feeling about where the songs were heading, but during yesterday’s recordings of guitar and vocals I began to doubt that feeling.

The last couple of months many people have said many different things on the subject “what kind of record Hymns from Nineveh should make”. I have listened and learnt a lot about people’s expectations and I am truly grateful to those people,  but I also find it harder and harder, actually, to destill my own thoughts on the subject, to hear my own voice in the choir of voices.

This feeling is complicated by the fact, that, and this I have discovered in the last couple of months, my songs can wear different “clothing”. They can be played with many different instrumentations, they can have different arrangements, each note in the melody can be delivered in many different ways – without the songs lose their core identity. Or can they? Can they maintain their core identity? And what do you do, when you suddenly have to cut through all the different ways of delivering the songs and decide to stick to one? You have to choose. And hope that the choice is right.

So – I was overwhelmed by choices and voices yesterday and I got confused. I admit that I’m a bit of a dramaqueen in such situations. And when I this morning listened to the things we made yesterday, it wasn’t so bad after all. It was good, actually.

Maybe the experience of doubt and failure can be constructive, I hope so, but when you are in the center of it, it makes decisionmaking – and choosing – difficult.

/Jonas

Pictures Recording

Day 5 – Back on track

2 PM: Today is different. The first thing I did this morning was to bake a bananacake. That is a good way to start the day. Got to the studio, where Andreas Brixen (lead singer of Bodebrixen, who is in fact a very talented drummer) had gotten ready to play drums on So mournful and Selma. I am not that good with drums, but I like the drums on The National’s fantastic album Boxer, so we will try to aim at that drumsound. Later today my brother in law, Mads (of upcoming band Monkey Face) will come and do some electric guitar on the two songs. I’m looking forward. 5 PM: Andreas just left. He ended up doing a lot of different stuff, including some crazy, stumbling outbursts on the drums with no beat what so ever. Mads has come and is currently doing some simplistic one-note things on Selma. Yeah! 6 PM: Done for today. The things Mads did, made me get some ideas, I wouldn’t have got if he wouldn’t have come. Mads also did some outrageously distorted guitars on So mournful – Aske was a soundwizard here. So mournful is developing into an orchestral thunderstorm. We’ve decided not to do anymore on this song for now – we could go on for ever! So – now I have some days off. Aske and the rest of Bodebrixen is going to London to play some gigs. If you happen to be in London the next couple of days, be shure to go! /Jonas

Recording

Day 4 – Off day

Day 4 was what you could easily call an “off-day”. Nothing went as we wanted it to. Maybe it was because it was monday.

Creativity, inspiration and all the good ideas had run dry.

That’s how life is sometimes: when you HAVE to deliver, you just can’t.

Do you have any good advice on what to do when such situations occur?

/Jonas

Pictures Recording

Day 3 –

9 am.  Woke up in a rainygray copenhagen. Heavy eyelids. Excited about what is going to happen. Don’t really know.

10 am. Arrived at Pinligtavshed. Coffee! Lovely.  Aske and I discuss what we should do with the ideas we got yesterday. Aske says: Let’s start all over. I say: OK. But I’m outside my comfortzone here. Aske says: Yeah, I can feel that. Let’s begin with the piano.

10.25. Aske sends me outside so he can concentrate on writing down technical stuff. So here I am. Outside. Smoking. Drinking coffee. Waiting for the magic to happen:

11.00. Aske records the pianopart for So mournful the elegy so comforting the hymn. It is b e a u t i f u l.

12.00  I try to record the guitarpart for So mournful, the one, I couldn’t play yesterday. I did it! Aske had an idea for an improvement, and I did that as well – turns out that they can easily function alongside each other. So now we have two different guitarparts. Hurrah!

12.30 Aske chops up the doublebass so it fits in the new tempo. Still sounds great.

13.00 We search for some good sounds on the JUNO, and Aske makes a loooooooooooooooooong, high pitch tone on the outro-chorus. Sounds like a large swarm of mosquitos inside a cathedral.

13.30 Aske and I simultaniously get the idea, that there should be a pounding bassdrum on the outro chorus. Not too techno, though.

14.00 Caspar stops by and listenes to what we’ve been working on. It is nice to get a fresh pair of ears on something, when you’ve been working with it all day. Fortunately, he likes, what he hears. I think, we’re done on So mournful.. for now.

15.00 I call it a day – it has been a good, but tiring day. Still got heavy eyelids. It might sound as if Aske has been the one who worked the most today, and that is very true – my job today was to think and to approve and to make coffee.

Now I’m off to Aarhus for the weekend – Sunday I will join my sister’s band at their releaseparty for their coming easter-album.

Have a nice weekend.
/Jonas

Pictures Recording Uncategorized

Day 2 – Four good things.

Hello, Hello!

At least four good things happened in the studio today:

1) David Blomqvist (the gentleman who also played dbl.bass on the christmassongs) came by, and made the first guestappearance and did some doubblebass on Selma and So mournful the elegy… He was great! We did some rythmical experiments on both of them with the bass, it was a good creative process.

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