Hello, Reader.


Happy Easter! I hope you have enjoyed the Easter Holiday! I spent mine in the beautiful Faroe Islands. I played a show in the capital city, Torshavn, and also got some time off to visit a good friend of mine and the breathtaking Faroese highlands.

Tuesday morning I was interviewed to the Faroese National Radio (the morning show called “Good Morning Faroe Islands”. I also played two songs, So mournful the elegy, So comforting the hymn and Selma. Listen to it here.

waiting in the lobby at the radiostation

Wednesday I played at The Nordic House, which must be one of the world’s most beutiful venues with a panorama view over Torshavn city and the Atlantic Ocean.

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Shoesday

Shoesday

Hello, reader.

I’m glad you stopped by.

I don’t know if you have any experience in recording, but those who have recorded an album or a song, or anyone who have worked on a product which included creative decisionmaking might know how frustrating it can be, when you suddenly loose your vision or find yourself lost in the creative process.

This happened to me yesterday. I had had a strong and good feeling about where the songs were heading, but during yesterday’s recordings of guitar and vocals I began to doubt that feeling.

The last couple of months many people have said many different things on the subject “what kind of record Hymns from Nineveh should make”. I have listened and learnt a lot about people’s expectations and I am truly grateful to those people,  but I also find it harder and harder, actually, to destill my own thoughts on the subject, to hear my own voice in the choir of voices.

This feeling is complicated by the fact, that, and this I have discovered in the last couple of months, my songs can wear different “clothing”. They can be played with many different instrumentations, they can have different arrangements, each note in the melody can be delivered in many different ways – without the songs lose their core identity. Or can they? Can they maintain their core identity? And what do you do, when you suddenly have to cut through all the different ways of delivering the songs and decide to stick to one? You have to choose. And hope that the choice is right.

So – I was overwhelmed by choices and voices yesterday and I got confused. I admit that I’m a bit of a dramaqueen in such situations. And when I this morning listened to the things we made yesterday, it wasn’t so bad after all. It was good, actually.

Maybe the experience of doubt and failure can be constructive, I hope so, but when you are in the center of it, it makes decisionmaking – and choosing – difficult.

/Jonas

Hello, Hello!

At least four good things happened in the studio today:

1) David Blomqvist (the gentleman who also played dbl.bass on the christmassongs) came by, and made the first guestappearance and did some doubblebass on Selma and So mournful the elegy… He was great! We did some rythmical experiments on both of them with the bass, it was a good creative process.

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My dear readers.

Welcome to the new blog. In the future, http://www.hymns.dk will be THE place to go for information about what happens with Hymns from Nineveh. A big thank you to Søren K for helping me out.

Monday, Aske and I began recording the forthcoming Hymns from Nineveh-album! Once again, the action takes place in Pinligtavshed. It feels great finally to be doing it, and not just thinking and talking about it.

We plan on working until May. Right now, we really don’t know where it is going to end, but we have a feeling, a feeling which is hard to put into words. We’ve selected 5 songs to begin with, and when they’re done, well pick 5 more, and so on.  Yesterday we recorded guitar on “Selma” and “So mournfull the elegy..”. Just to get started.

We’ll meet again on thursday, where the first guest-appearence will happen: David Blomqvist will come and put some folky doubblebass on Selma.

Three more things..

Three more shows added to the concert-calendar, including the first Faroe Islands show ever. Unfortunately, I will come alone and without the beautiful band of Hymnboys and -girl. But I’m looking forward to visit the lovely sheep-eating brothers and sisters of FO. Anyone, who have been there and could give some good advice on what to see?

Danish Music Mag. GAFFA picked up the story, that I’m recording and going to tour w/ Murder. Read about it here (in Danish). Also, Danish musicblog, Blaa Vinyl, writes nice things these days.

Finally, I can tell you, that a young, Danish documentarist is working on a Hymns from Nineveh-documentary. He will be following us around the next couple of months.

That was all for now. /Jonas

Hi, everyone!

The Copenhagen snow is melting – The Winterking is falling, Queen of Spring is coming!

As I mentioned in the last post, we did a videoshoot some time ago – below you can watch two more videos: Selma and a brandnew song, So mournful the elegy, so comforting the hymn! Hope you enjoy.

Yesterday, A&R from Good Tape Records, Aske, Caspar and I met to talk about the forthcoming album. More about that later.

We’ll play @ Løves Bogcafé, Vesterbro on Friday. Hope to see you there!

Selma

So mournful the elegy, so comforting the hymn

Dear readers.

Merry, Uncomplicated Christmas!

It has been a wonderful December for me. I released “Uncomplicated Christmassongs” on 31st of November, and it has recieved a warm welcome from critics and listeners. The EP just recieved the honour of being “album of the year” at the Danish music blog Blaa Vinyl , and one of my favourite blogs, Regnsky, loves it – a very happy ending indeed!

Thank you for your comments and your support – it encourages me to work hard on the new album!

I have made a small lo-fi video for you with a song, that was meant to be on the EP: Endurance in Christmastime.

With this – a very merry christmas to you!

Two liverecordings from Emdrup Kirke (Church of Emdrup – a church in Copenhagen) November 9th 2007.

The Size Of His Hands / God Is In The Rain

Rejoicesingalongsong

[Update mar 3 2010: Sorry - the videos are no longer available on Youtube ...]

Visuals by Henrik Jønsby. Music by Hymns from Nineveh.